Heard before it’s noticed.
Work
The Builders of Our Time
OpenAI Dir. Emmanuel Cossu · Iconoclast · Alto
The Studio

The work starts before the first frame: what should this sound like, and why.

One creative, alongside your team
On the faders - first brief to final delivery

Cut Noise is a sound design and mix studio led by Dan Flosdorf - full sound design, mix, and sonic identity for agencies and directors across advertising, film, and branded content.

Global by design - real-time review sessions and broadcast-spec delivery anywhere in the world. The multi-room model rotates a brief across mixers and rooms; Cut Noise works the opposite way: the same hands on the sound from first brief to final delivery - no handoffs, no rotation. The person you brief is the person on the faders, alongside your team the whole way.

Modern tools, used like any instrument - in service of the work. AI is part of the kit, never a shortcut: every creative call is human, and final voice and music are always real talent.

The Author

Dan Flosdorf is the founder of Cut Noise and its single author - sound design and mix on every project. His roots are in narrative film - sound design on features including Blue Valentine and The Place Beyond the Pines - before commercial post at Heard City and Barking Owl. His work is part of campaigns recognized at Cannes Lions.

Selected Work
Case Studies
Sound Design & Mix · Global

Any smoke?

A few projects at a time - if the work’s right, I’m listening.
dan@cutnoise.tv
+1 (917) 626-3937